By
Mike Devlin, Victoria Times Colonist - on June 25, 2009
VICTORIA The timeless image of Michael Jackson moonwalking
across the stage, sequined glove on one hand, the entire world
in the other, ranks among the most iconic in pop music history.
The slick feet and glitzy accoutrements, which at first were
the defining traits of the King of Pop, would eventually fade,
dwarfed by his enormous musical talents.
Jackson arrived almost fully formed, a triple-threat who could
sing, dance and write. The intangible was he looked good doing
it. And that, in the pop music world, is the bulk of the battle.
Jackson died Thursday after suffering a cardiac arrest at his
home in Los Angeles. He was 50.
It was a tragic ending for the native of Gary, Ind., who leaves
behind one of the most talked-about careers and impressive,
enduring catalogues in modern music.
Few performers before or since could compete with Jackson during
his prime. To date, only the Beatles, Elvis Presley and Bing
Crosby have sold more records than Jackson. He mastered movies,
videos and concert tours, and worked with Eddie Van Halen, Martin
Scorsese, and Slash.
He would try anything and could do everything. And yet, he
was never far from controversy. It was an ongoing conundrum
for Jackson: On stage, few were more famous; behind closed doors,
only a select few could match his bad press.
It eventually took its toll. Beginning with a child molestation
scandal in 1993 and continuing right up to his death, Jackson
always seemed to struggle financially, personally, musically
despite numerous comeback attempts.
Even the talked-about 25th anniversary edition of his masterwork
from 1982, Thriller, released in early 2008, failed to ignite
audiences. It sold well for a catalogue reissue, but moved well
under one million copies in the U.S., a mediocre result for
the biggest-selling album in history with sales of more than
100 million copies worldwide.
A break in the clouds may have been forthcoming. Jackson was
reportedly working on a comeback recording and was scheduled
to perform a string of 50 concerts in the U.K. beginning in
July. He was expected to earn approximately $100 million in
net income from the dates.
The millions in mourning worldwide have found solace in his
music. Social networking sites such as Twitter and Facebook
were flooded with tributes, while Jackson's videos on YouTube
were inundated with similarly emotional user comments.
In death, as in life, Jackson remains the biggest star in the
universe.
His legacy, though questionable in spots, will not tarnish
not in the years to come, not likely ever. He may have
been a punchline at various points, but his musical output was
never part of the joke. You don't become the world's most successful
pop star without good reason.
His philanthropy and goodwill were unrivalled, and grew in
correspondence with his wealth. He was kind to a fault, a rare
character trait for a performer who was literally raised in
the spotlight.
Jackson graced the cover of Time magazine in 1983, a decade-and-a-half
after he emerged alongside his older brothers in the family
band, the Jackson 5.
At the time of the cover story, Thriller was riding high on
the charts. Quincy Jones, not only Jackson's producer but a
friend and one of his biggest supporters, saw the emergence
of Jackson as a beacon of hope for the black community, whose
music "had to play second fiddle for a long time,"
Jones said.
"Michael has connected with every soul in the world."
That he did. It was a brief dalliance with the King of Pop,
just 50 short years, but it was a memorable one.
Source: Canada.com